|
“No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together each the happier for the other.”
― Frank Lloyd Wright
What happens when we stop looking at a building simply as a building? For Lincoln Stoller, physicist, psychotherapist and son of celebrated architectural photographer Ezra Stoller, the answer lies somewhere between architecture, psychology, nature, photography and the human capacity to experience something beyond the immediately visible.
Click this image to watch the video of the interview on Youtube.
Ezra Stoller was regarded as one of the pre-eminent architectural photographers of his generation. His extraordinary archive includes some of the most significant buildings of twentieth-century modernism, photographed not simply as objects, but as experiences. His approach was distinctive: rather than producing straightforward images designed to showcase a building, he sought something beyond it – what Lincoln describes as the “essential and ethereal.”
This is particularly fascinating when we consider Frank Lloyd Wright, whose architecture is now frequently discussed through the lens of Biophilic Design, despite Wright never using the term. Wright trusted Ezra to understand what he was trying to achieve without needing to explain it. Lincoln describes their relationship as almost a meeting of opposites: Wright the forceful creator, Ezra the sensitive and receptive observer. Together, they understood something difficult to put into words – the ineffable quality of space.
And perhaps this is where photography and Biophilic Design meet.
In this interview we talk increasingly about awe: the experience of encountering something larger, more complex or more powerful than ourselves. In Biophilic Design, awe can be created through views, scale, natural processes, unexpected vistas, light, movement and encounters with the living world. Wright intuitively understood the power of these experiences. At Fallingwater, for example, architecture, water, landscape, movement and changing views combine to create something that is far more than a collection of rooms.
Ezra’s photographs similarly invite us to pause. They create vistas within vistas, playing with light, scale, confinement, openness and perspective. They ask us not just to ‘look’, but to notice, associate, feel and imagine. As Lincoln puts it, the best photographs can call into our minds things we have not previously seen, felt or thought.
That makes From the Eye of the Beholder more than an architectural photography book. It is an invitation to reconsider how we see the built environment – and what it might reveal about ourselves. For architects, designers, photographers, students and anyone interested in the relationship between people, place and perception, this is an opportunity to encounter some familiar buildings through different eyes.
Links mentioned in the Podcast:
https://www.mindstrengthbalance.com/fteotb-home/
https://www.mindstrengthbalance.com
https://mindstrengthbalance.substack….
https://www.kickstarter.com/projects/…
Lincoln’s Substack article
“Is Architecture History or Prophecy?”at: https://mindstrengthbalance.substack….
What is Biophilic Design: https://journalofbiophilicdesign.com/…
If you love Architecture why not download our PDF on Biophilic Design and Architecture:
https://journalofbiophilicdesign.com/…
Sign up to our free newsletter on our website https://journalofbiophilicdesign.com/…
Our podcast is also on Audible, Amazon Music, Spotify, iTunes, and all the RSS feeds.
/ journalofbiophilicdesign
/ journalofbiophilicdesign
/ journalofbiophilicdesign
Enter your email for a FREE 1x/month or a paid 4x/month subscription.
Click the Stream of the Subconscious button.
Leave A Comment